The star of the artistic word is Safoan
Safuan Shaimerdenov (April 15, 1922, Zhambyl district of North Kazakhstan region Amangeldy — February 23, 2007, Petropavlovsk) — writer, playwright, People's Writer of the Republic of Kazakhstan (1995). Graduated from KazSU (now KazNU) (1950). Head of the Department, Deputy Editor of the Journal of Literature and The History of The History of Literature (1952 – 55). Deputy editor-in-chief of the newspaper "Kazakh literature" (1955 – 56), head of the prose section of the Union of Writers of Kazakhstan (1956 – 58), secretary (1961 – 63). The head of the department (1958 – 60) in the magazine "Culture and Life" (now "Parasat") worked as editor-in-chief of the repertoire board of the Ministry of Culture of the Kazakh SSR (1971 – 76). The novel describes the life of the intellectuals of the Kazakh University — professors, teachers and students, which is changed to "Inesh" (1958) novel." Character" (1960)"Mezgil" (1964)"Familiar neighbor" (1965)"Kargash" (1967)"Bird of the Year" (1969)"Sazy"(1971)"Nury of life" (1972)"Selzin" Accents" (1977)"Majnun Tal" (1980)"Literary waves" (1985)State Prize winner of the Republic of Kazakhstan (1988). He was awarded with the order "Kurmet kumort bey" and medals" The Order Otan" was awarded in 1994 by the President of the Republic of Kazakhstan Nursultan Nazarbayev, honored citizen of the city of Petropavlovsk, among the outstanding representatives of Kazakh literature, safuan Shaimerdenov's literary heritage. The novels and stories of the writer born in his pen are works of the golden fund of our literature, in general, academician Z. Kabdolov wrote:
"Thirdly, Safoin is a writer of culture. The cost of the literary work is aesthetic. Aesthetics is a concept of beauty. The main feature of literature is beauty. If so, the aesthetic degree of literature should be high. The literary work should be watered to beauty, not to sorority. In contrast to the individual simplifications that make art into pornography, Safoun always tends to paint a picture of the human being's soul, his soul, his beauty. This is a characteristic of a writer of culture.
Fourthly, the work of Safwan is as warm as the sun, and it is full of beautiful lyrism. This proves that he is a painter.
Fifth, there is a clean, concise parasite, whichever works of Safwan we get. And intelligence is necessary for literary works".
All these qualities will undoubtedly recognize Safuan Shaimerdenov as his own descendant of Kazakh literature, one of the most treasured kazakh sparrows of Kazakh prose.
In general, literary theory has a lot of opinions about the relationship between aesthetics in art and aesthetics in fiction. But art, in addition to reality, gives it a new life, renews its aesthetic values.
Literary scientist V.E. In his research, Khalizev said:
"The aesthetic and artistic reality of art explains the gap between aesthetics… "Art creates beauty", questioning the veracity, falsity of the thesis, which says that the aesthetic value is reduced, that beauty will help to preserve the world, gives birth to literary values and that art does not create beauty, but beauty itself, – he wrote."
The question of aesthetics in literature is always the search of the writer in the creation of an image in the work of art, the mastery of collecting thoughts about beauty and beauty. One of the scientists is L.I. Timofeev spoke about the aesthetic significance of the artistic image:
"Aesthetic feeling is a special emotional mood of a person who entered the world of art. The art is based on the concept of beauty, which is a particularly valuable, special concept for a person".
The most valuable and significant concepts are aesthetic beauty and art around humanity and art, man and writer. These concepts are especially important in the creation of an image in the literature, because it is the ideal that the writer always offers to the reader, that is, the image of the collection.
In this regard, literary theorist L.I. Timofeev said that the aesthetic reality of the image is an accurate representation of human ideals. He writes
, "The ideal is the beauty of life." Among the Kazakh prose writers, "the most cultured writer" and the creation of the most aesthetical works of the writer, Safuan Shaimerdenov, have the beauty of his paintings throughout the production. Any of the images of Inesh, Aspet, Kargash, etc., arising from the writer's pen, is like warmth, beauty, decency.
One of the most artistic images of the writer is Aspet in the story "Majnun Tal". The writer gives the image of Aspet a collection of aesthetically interesting qualities, such as obedience, obedience, beauty, agility, sharpness, and deprecation, which are characteristic of the young Kazakh woman. He describes and describes himself with a master story.
As in the story of the writer "Mezgil", the characters of the story "Majnun Tal" will be familiar on the black road. The writer of the meeting said:
"The meeting is completely different: he did not say that he wanted to fight or he did not say anything about it. It is a good thing that the city was able to be very calm. It's a good idea to be able to do this. It's as if she had just been confronted by a tantalising lynxist girl, who had taken the beans and brought out the beans of all her personality. Dauyn sings. She wanted to look at her black eyes and her perfect appearance as a toast. It's like he can't hear or see anything. He wanted to hear, he wanted to see", – he writes.
The creative fantasy in the work of the writer Safuan Shaimerdenov brings to this storyline all the people whose fate and life depend on one line, producing from them powerful images of aesthetic algae. In this regard, academician Z. Kabdolov writes:
"The creative fantasy, or fiction, is not a reading that is far from the truth, it is a way of sorting, sorting out that reality, accumulating and preparing a person's personality and preparation."
Majnun Tal" has a high artistic power of this aesthetic allotment. The writer brings himself and his soul to the beautiful, beautiful artist Bagdan."
The train arrived in Zhambyl. A group of young people were standing in front of the carriage. It seems that some of them did not know who they were. And as we go, we say, "This is already the case. Among the contemporary artists, the one that often sticks in their mouths" – the squeaky-ear edging"
Yes, the image of the artist is the image of an art person. The young artist, who wants to embody beauty and beauty in his pen, is a gift of fate to the life of the young artist Bagdan. A gift of purity. The characters' meeting is also particularly beautiful."
When she came to the compartment with this one of her own lips, she looked at a girl who was lying on the opposite spot. It is necessary that this girl was taken out of the garden by a group, and when she entered the garden, she politely turned around and greeted her a little bit".
The artist uses the method of metaphor. No extra word, no overcolor. All the drawings, all the descriptions are theme, set, and artistic.
In the famous "Art of words" Z.Kabdolov describes the character as follows: "Character is the inner nature of a person, a social behavior that has formed a certain social situation, a set of all psychological characteristics.".
"Character" in Safuan Shaimerdenov's work is a key indicator of the formation of that image. Here, the farther the image of the Acetate, the hoter it is. Safwan's work was a very warm way for the reader. Although he has moved away from the artist, he lives in his spirit, life and soul. In any respect, one of the readers remains interested in the art, one in the way of evaluating the art."
For the first time he held his hand in Koshtasar. It's insulate, even-soft. No matter how many branches you think, the young man was left with a little bit of a heart and a lot of roots. The child is trying to resist, and he is not a man's puppet".
Warmth, beauty, beauty, decencies throughout the work are not interrupted, although the main characters say good-bye. This is the warmth of life. This is the nur of life.
One aspect of the writer's skill is that he can decorate and decorate the image around this "meet-and-greet" floor."
It's magnificent! The meeting will be held every time. There is one meeting: so polite. It's so sully. You talked, you talked and you talked. There is no such thing as a puppy. Your farewell is so beautiful. You can even say your first names. Address, please put your phone in. The train was running. You're in the coupe. Upon entering, you looked at a newspaper or a book, or a field. You don't even have a shadow on your side. I'd like to say that i'm not a part of this".
Creating a heart-to-heart image with a smile. It is an art from the creative laboratory of Shaimerdenov.
In this regard, "anyone who has studied the creative laboratory of each writer would have noticed that his or her attempts to collect art, or to type up literary images, often began with the discovery of prototypes of different types." Kabdolov.
At the same time, S. Shaimerdenov will be known as the writer who gave life to his images and gave them an aesthetic allotment.
A scene from the solemn meeting dedicated to the 94th anniversary of Safuan Shaimerdenov
Safuan book exhibition
5th grade students tell
monlogs of Safuan's monlogs for their mothers and fathers a scene
set by the line of "Autograph" story
line "Autograph" story line scene
with "Autograph" story line "Autograph" story line